by Euph0ria » Tue Aug 02, 2011 5:30 am
sarcher wrote:Nothing's changed fellas. A commercially licensed product can't offer integrated AAC encoding/decoding without paying royalties. Nothing they can do without building that into the base price.
I don't think that the support feature is asking for NeroAAC integration, rather simply to specify an external encoder and parameters. For that matter, it could be ANY free external encoder, with absolutely no integration aside from passing along encoding parameters and variables to whichever external encoder a user chooses. NeroAAC, simply being a good example of a very useful external encoder.
sarcher wrote:
For what it's worth, I've never seen a single test that showed AAC (regardless of encoder) to be "much more efficient" in quality/size than LAME MP3. Slightly superior in some samples, yes, but by and far it's not going to make a difference. Plus, the tagging standards are better for MP3 at present. I don't think this is worth the trouble at the moment, especially since MM is one of the few players on the market that can use Quicktime to play Fairplay DRM-ed files.
I hope you're not serious. If so I'm sincerely and deeply embarrassed for you. AAC-LC, HEAAC-SBR and HEAAC-SBR-PS (HEAACv1/HEAACv2) are far superior in DRASTIC Ways. It's nearly like comparing The Cinepak, or perhaps early MPEG1 Video codecs with H.264. MP3 is outstandingly antiquated in so many ways, regardless of how popular it may remain or how evolved and fine tuned the best MP3 encoders are. This is especially true at low bitrates. A 32kbit HE-AACv2 using NeroAAC is comparable (or better) in subjective quality than a 128k mp3. An HE-AAC @ 48k is likewise comparable (or better than) the most optimized MP3 @ 192kb, while retaining such things as dolby and multi-channel encoding. XM Satellite radio, for example, broadcasts in 48k AAC. 96kbps-128kbps is used for theater quality 5.1/7.1 surround sound and is the standard for BluRay multi-channel/multi-track audio encoding. MP3 and AAC are very different audio encoding technologies. Yes, you can encode AAC at ultra high bitrates (256kbps) but unless you're cramming 64 channels of audio into that, it's a waste not even practical to do such a thing for archival quality encoding.
[quote="sarcher"]Nothing's changed fellas. A commercially licensed product can't offer integrated AAC encoding/decoding without paying royalties. Nothing they can do without building that into the base price.[/quote]
I don't think that the support feature is asking for NeroAAC integration, rather simply to specify an external encoder and parameters. For that matter, it could be ANY free external encoder, with absolutely no integration aside from passing along encoding parameters and variables to whichever external encoder a user chooses. NeroAAC, simply being a good example of a very useful external encoder.
[quote="sarcher"]
For what it's worth, I've never seen a single test that showed AAC (regardless of encoder) to be "much more efficient" in quality/size than LAME MP3. Slightly superior in some samples, yes, but by and far it's not going to make a difference. Plus, the tagging standards are better for MP3 at present. I don't think this is worth the trouble at the moment, especially since MM is one of the few players on the market that can use Quicktime to play Fairplay DRM-ed files.[/quote]
I hope you're not serious. If so I'm sincerely and deeply embarrassed for you. AAC-LC, HEAAC-SBR and HEAAC-SBR-PS (HEAACv1/HEAACv2) are far superior in DRASTIC Ways. It's nearly like comparing The Cinepak, or perhaps early MPEG1 Video codecs with H.264. MP3 is outstandingly antiquated in so many ways, regardless of how popular it may remain or how evolved and fine tuned the best MP3 encoders are. This is especially true at low bitrates. A 32kbit HE-AACv2 using NeroAAC is comparable (or better) in subjective quality than a 128k mp3. An HE-AAC @ 48k is likewise comparable (or better than) the most optimized MP3 @ 192kb, while retaining such things as dolby and multi-channel encoding. XM Satellite radio, for example, broadcasts in 48k AAC. 96kbps-128kbps is used for theater quality 5.1/7.1 surround sound and is the standard for BluRay multi-channel/multi-track audio encoding. MP3 and AAC are very different audio encoding technologies. Yes, you can encode AAC at ultra high bitrates (256kbps) but unless you're cramming 64 channels of audio into that, it's a waste not even practical to do such a thing for archival quality encoding.