WebHelp:MP3 Encoding Settings/4.0/es: Difference between revisions
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| width="11%" | Standard (fast), <br />VBR ~192 kbps | | width="11%" | Standard (fast), <br />VBR ~192 kbps | ||
| width="7%" | Very High | | width="7%" | Very High | ||
| width="13%" | High, | | width="13%" | High, eficiente | ||
| width="69%" | Recommended for encoding MP3s at very high quality levels, at which only a small proportion of listeners will be able to distinguish it from the original. It encodes slightly faster than the Standard preset, but at a slightly reduced quality level. | | width="69%" | Recommended for encoding MP3s at very high quality levels, at which only a small proportion of listeners will be able to distinguish it from the original. It encodes slightly faster than the Standard preset, but at a slightly reduced quality level. | ||
|- | |- | ||
| width="11%" | Standard, <br />VBR ~192 kbps | | width="11%" | Standard, <br />VBR ~192 kbps | ||
| width="7%" | Very High | | width="7%" | Very High | ||
| width="13%" | High, | | width="13%" | High, eficiente | ||
| width="69%" | Recommended for encoding MP3s at very high quality levels, at which only a small proportion of listeners will be able to distinguish it from the original. | | width="69%" | Recommended for encoding MP3s at very high quality levels, at which only a small proportion of listeners will be able to distinguish it from the original. | ||
|- | |- | ||
| width="11%" | Extreme (fast), <br />VBR ~256 kbps | | width="11%" | Extreme (fast), <br />VBR ~256 kbps | ||
| width="7%" | Near CD | | width="7%" | Near CD | ||
| width="13%" | Very high, | | width="13%" | Very high, eficiente | ||
| width="69%" | Recommended for encoding MP3s at near-CD quality levels for very discriminating music listeners (with plenty of hard disk space). Only a very small proportion of listeners will be able to distinguish these MP3s from the original. Note that it encodes slightly faster than the Extreme preset, but at a slightly reduced quality level. | | width="69%" | Recommended for encoding MP3s at near-CD quality levels for very discriminating music listeners (with plenty of hard disk space). Only a very small proportion of listeners will be able to distinguish these MP3s from the original. Note that it encodes slightly faster than the Extreme preset, but at a slightly reduced quality level. | ||
|- | |- | ||
| width="11%" | Extreme, <br />VBR ~256 kbps | | width="11%" | Extreme, <br />VBR ~256 kbps | ||
| width="7%" | Near CD | | width="7%" | Near CD | ||
| width="13%" | Very High, | | width="13%" | Very High, eficiente | ||
| width="69%" | Recommended for encoding MP3s at near-CD quality levels for very discriminating music listeners (with plenty of hard disk space). Only a very small proportion of listeners will be able to distinguish these MP3s from the original. | | width="69%" | Recommended for encoding MP3s at near-CD quality levels for very discriminating music listeners (with plenty of hard disk space). Only a very small proportion of listeners will be able to distinguish these MP3s from the original. | ||
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| width="11%" | Phone, <br />ABR ~16 kbps mono | | width="11%" | Phone, <br />ABR ~16 kbps mono | ||
| width="7%" | Poor | | width="7%" | Poor | ||
| width="13%" | Very low, | | width="13%" | Very low, bastante eficiente, predictable | ||
| width="69%" | Useful for low quality recordings, when bandwidth used needs to be constrained to a predetermined average. | | width="69%" | Useful for low quality recordings, when bandwidth used needs to be constrained to a predetermined average. | ||
|- | |- | ||
| width="11%" | Short Wave, <br />ABR ~24 kbps mono | | width="11%" | Short Wave, <br />ABR ~24 kbps mono | ||
| width="7%" | Poor | | width="7%" | Poor | ||
| width="13%" | Very low, | | width="13%" | Very low, bastante eficiente, predictable | ||
| width="69%" | Useful for low quality recordings, when bandwidth used needs to be constrained to a predetermined average. | | width="69%" | Useful for low quality recordings, when bandwidth used needs to be constrained to a predetermined average. | ||
|- | |- | ||
| width="11%" | AM, <br />ABR ~40 kbps mono | | width="11%" | AM, <br />ABR ~40 kbps mono | ||
| width="7%" | Poor | | width="7%" | Poor | ||
| width="13%" | Very low, | | width="13%" | Very low, bastante eficiente, predictable | ||
| width="69%" | Useful for low quality recordings, when bandwidth used needs to be constrained to a predetermined average. | | width="69%" | Useful for low quality recordings, when bandwidth used needs to be constrained to a predetermined average. | ||
|- | |- | ||
| width="11%" | Voice, <br />ABR ~56 kbps mono | | width="11%" | Voice, <br />ABR ~56 kbps mono | ||
| width="7%" | Fair | | width="7%" | Fair | ||
| width="13%" | Very low, | | width="13%" | Very low, bastante eficiente, predictable | ||
| width="69%" | Useful for fair quality voice recordings, when bandwidth used needs to be constrained to a predetermined average. | | width="69%" | Useful for fair quality voice recordings, when bandwidth used needs to be constrained to a predetermined average. | ||
|- | |- | ||
| width="11%" | Tape, <br />ABR ~112 kbps | | width="11%" | Tape, <br />ABR ~112 kbps | ||
| width="7%" | Average | | width="7%" | Average | ||
| width="13%" | Low, | | width="13%" | Low, bastante eficiente, predictable | ||
| width="69%" | Useful for average quality music recordings, when bandwidth used needs to be constrained to a predetermined average. | | width="69%" | Useful for average quality music recordings, when bandwidth used needs to be constrained to a predetermined average. | ||
|- | |- | ||
| width="11%" | Hifi, <br />ABR ~160 kbps | | width="11%" | Hifi, <br />ABR ~160 kbps | ||
| width="7%" | High | | width="7%" | High | ||
| width="13%" | Intermedio, | | width="13%" | Intermedio, bastante eficiente, predictable | ||
| width="69%" | Useful for high quality music recordings, only when bandwidth used needs to be constrained to a predetermined average. Otherwise, the Medium or Medium (fast) presets are preferable. | | width="69%" | Useful for high quality music recordings, only when bandwidth used needs to be constrained to a predetermined average. Otherwise, the Medium or Medium (fast) presets are preferable. | ||
|- | |- | ||
| width="11%" | Hifi ,<br />ABR ~192 kbps | | width="11%" | Hifi ,<br />ABR ~192 kbps | ||
| width="7%" | Very High | | width="7%" | Very High | ||
| width="13%" | High, | | width="13%" | High, bastante eficiente, predictable | ||
| width="69%" | Useful for very high quality music recordings, only when bandwidth used needs to be constrained to a predetermined average. Otherwise, the Standard or Standard (fast) presets are preferable. | | width="69%" | Useful for very high quality music recordings, only when bandwidth used needs to be constrained to a predetermined average. Otherwise, the Standard or Standard (fast) presets are preferable. | ||
|- | |- | ||
| width="11%" | Studio, <br />ABR ~256 kbps | | width="11%" | Studio, <br />ABR ~256 kbps | ||
| width="7%" | Near CD | | width="7%" | Near CD | ||
| width="13%" | Very high, | | width="13%" | Very high, bastante eficiente, predictable | ||
| width="69%" | Useful for encoding MP3s for very discriminating music listeners, only when bandwidth used needs to be constrained to a predetermined average. Otherwise, the Extreme or Extreme (fast) presets are preferable. | | width="69%" | Useful for encoding MP3s for very discriminating music listeners, only when bandwidth used needs to be constrained to a predetermined average. Otherwise, the Extreme or Extreme (fast) presets are preferable. | ||
|} | |} |
Revision as of 21:48, 29 May 2012
Para configurar las opciones de codificación MP3, haga clic en el botón Ajustes en el cuadro de diálogo de Guardar en el CD Virtual, el de Convertir Formato o el de Ripear CD de Audio.
MediaMonkey tiene una amplia gama de opciones de codificación MP3, lo que le permite elegir entre una amplia gama de configuraciones predefinidas optimizadas, o colocar opciones de codificación manualmente. Lo que sigue es una descripción de cada una de las configuraciones predefinidas, para ayudarle a elegir los ajustes más adecuados para usted; si desea aprender las complejidades de las opciones de configuración manual MP3 puede encontrar información a través de varios de los siguientes enlaces.
Ajuste Predefinido | Calidad | Bandwidth | Recomendación |
Compatible, CBR 96 kbps |
Aceptable | Baja, ineficiente | Useful if MP3s are to be played on a low storage capacity portable/device that is incompatible with VBR formats. |
Compatible, CBR 128 kbps |
Average | Low, ineficiente | This preset is fairly popular despite the average quality level, mainly because quality is adequate and it can be played on low memory portable/devices that are incompatible with VBR formats. |
Compatible, CBR 160 kbps |
Good | Intermedio, ineficiente | Useful for encoding MP3s at a decent quality level when the MP3s are to be played on a device that is incompatible with VBR formats. |
Intermedio (rápido), VBR ~160 kbps |
High | Intermedio, eficiente | Recommended for encoding MP3s at a high quality level, at which only some users will be able to distinguish it from the original. It encodes slightly faster than the Medium preset, but at a slightly reduced quality level. |
Intermedio, VBR ~160 kbps |
High | Intermedio, eficiente | Recommended for encoding MP3s at a high quality level, at which only some users will be able to distinguish it from the original. |
Compatible, CBR 192 kbps |
High | High, ineficiente | Useful for encoding MP3s at a high quality level when the MP3s are to be played on a device that is incompatible with VBR formats. |
Standard (fast), VBR ~192 kbps |
Very High | High, eficiente | Recommended for encoding MP3s at very high quality levels, at which only a small proportion of listeners will be able to distinguish it from the original. It encodes slightly faster than the Standard preset, but at a slightly reduced quality level. |
Standard, VBR ~192 kbps |
Very High | High, eficiente | Recommended for encoding MP3s at very high quality levels, at which only a small proportion of listeners will be able to distinguish it from the original. |
Extreme (fast), VBR ~256 kbps |
Near CD | Very high, eficiente | Recommended for encoding MP3s at near-CD quality levels for very discriminating music listeners (with plenty of hard disk space). Only a very small proportion of listeners will be able to distinguish these MP3s from the original. Note that it encodes slightly faster than the Extreme preset, but at a slightly reduced quality level. |
Extreme, VBR ~256 kbps |
Near CD | Very High, eficiente | Recommended for encoding MP3s at near-CD quality levels for very discriminating music listeners (with plenty of hard disk space). Only a very small proportion of listeners will be able to distinguish these MP3s from the original. |
Insane, CBR 320 kbps |
Highest | Insanely high, ineficiente | Recommended for encoding MP3s at the highest level possible. It's for very discriminating music listeners (with hard disk space to burn). Only a very small proportion of listeners will be able to distinguish these MP3s from the original. |
Phone, ABR ~16 kbps mono |
Poor | Very low, bastante eficiente, predictable | Useful for low quality recordings, when bandwidth used needs to be constrained to a predetermined average. |
Short Wave, ABR ~24 kbps mono |
Poor | Very low, bastante eficiente, predictable | Useful for low quality recordings, when bandwidth used needs to be constrained to a predetermined average. |
AM, ABR ~40 kbps mono |
Poor | Very low, bastante eficiente, predictable | Useful for low quality recordings, when bandwidth used needs to be constrained to a predetermined average. |
Voice, ABR ~56 kbps mono |
Fair | Very low, bastante eficiente, predictable | Useful for fair quality voice recordings, when bandwidth used needs to be constrained to a predetermined average. |
Tape, ABR ~112 kbps |
Average | Low, bastante eficiente, predictable | Useful for average quality music recordings, when bandwidth used needs to be constrained to a predetermined average. |
Hifi, ABR ~160 kbps |
High | Intermedio, bastante eficiente, predictable | Useful for high quality music recordings, only when bandwidth used needs to be constrained to a predetermined average. Otherwise, the Medium or Medium (fast) presets are preferable. |
Hifi , ABR ~192 kbps |
Very High | High, bastante eficiente, predictable | Useful for very high quality music recordings, only when bandwidth used needs to be constrained to a predetermined average. Otherwise, the Standard or Standard (fast) presets are preferable. |
Studio, ABR ~256 kbps |
Near CD | Very high, bastante eficiente, predictable | Useful for encoding MP3s for very discriminating music listeners, only when bandwidth used needs to be constrained to a predetermined average. Otherwise, the Extreme or Extreme (fast) presets are preferable. |
Related Information:
Digital Ripping and Digital Audio Compression Formats
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